The observer is anything but passive in quantum physics experiments. Observation appears to affect what is being measured. Gazing into my abstract paintings similarly involves collapsing the possibilities of a semi-formless chaos into an interpretation. The complex yet indistinct shapes, colours, and textures compel the imagination to complete the painting. This co-creative style of abstraction acknowledges and draws out the creator from within the observer.
Gazing and visualizing are one type of interaction people might have with my art. Like the Rorschach inkblot test, the paintings can facilitate mild conscious visualization. The viewer supplies the content and meaning of what is discovered—that is why I refer to the artwork as dynamic playgrounds. This inbuilt subjectivity allows one painting to appear differently to a multitude of viewers, functioning as a kind of subconscious mirror.
In quantum physics, objects can exist in more than one state when no one is looking at them; curiously, my paintings exist in multiple states especially when people are looking at them. A group of people reported seeing the following images in the painting below:
a whale with a blue-green eye
a lady dressed in pink holding a scepter
a robot dog
a lion’s nose
a mountain landscape
an elderly man with long hair
a fish blowing bubbles, waves
a pair of children